Sometimes this process reminds me of giving a room a new breath of energy by moving the furniture around. Some have ask if these adjustments are necessary, and that's tricky and ultimately a personal viewpoint. I would not argue that either painting (old or new) was finished, better or worse. But for me it reaffirms my affection for the painting; the process of applying a new or current idea, to an older painting, is exciting. In short, it breathes new life into the work, even if I'm the only who sees it!
I reworked both these paintings last week. They came from last years paintings, and both changed, by becoming a little more subtle...
Peruvian Lilies & Delphinium over Purple & Violet
24X36 Acrylic on panel
The 'old'This painting worked, but felt a little cool. I wanted to keep everything unified and close in colors, so I adjusted the tablecloth to a yellowish white. Internationally I left parts of the original color shine through to give the effect of a loosely painted tablecloth design. I then lightly glazed the background floor to separate it from the tablecloth. The end result I think has elevated this work with a lot of nuance and subtlety in color, over the original drama of the cyan tone.
Lemons, Poms & Cyclamen over tribal drape
22X22 Acrylic on wood
The power of the background design felt too impactful, when the focus needed to be on the flowers and table. I toned the drape design into light yellow/greens, which unified the color design of the overall painting, and brought the focus to where it belonged. For the observant amongst you, you may also notice I altered the cut Pomegranate a little, and adjusted the line of the table, (where it meets the purple vase/cup).